Cutting Rhythms: Intuitive Film Editing byKaren Pearlman
- Cutting Rhythms: Intuitive Film Editing
- Karen Pearlman
- Page:280
- Format: pdf, ePub, mobi, fb2
- ISBN:9781138856516
- Publisher:Taylor & Francis
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e-Books in kindle storeCutting Rhythms: Intuitive Film Editing DJVU in English
There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions. Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains: New chapters on collaboration and "editing thinking"; Advice on making onscreen drafts before finalizing your story Tips on how to create and sustain audience empathy and engagement; Explanations of how rhythm is perceived, learned, practiced and applied in editing; Updated discussions of intuition, structure and dynamics; An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book.
Walter Murch interviews Anne V. Coates - FilmSound.org
The first film she cut was "The Pickwick Papers." A self-described intuitive editor, Coates has edited such films as "The Horse's Mouth," "Lawrence of Arabia" However, he said, "Wait until the music's on, wait until the whole rhythm is together. Cutting Rhythms: Shaping the Film Edit - Karen - Google Books
Cutting Rhythms breaks down the definition of intuition to find that, even Cutting Rhythms makes ideas about rhythm in film editing clear and Cutting Rhythms: Intuitive Film Editing, 2nd Edition - Routledge
There are many books on the technical aspects of film and video editing. variety of international films, the second edition of Karen Pearlman's Cutting Rhythms Chapter 7 - Pacing & Rhythm - Advanced Video Editing
During the rough cut stage, the editor juxtaposes shots that are related to one another, Viewers know when a film lacks rhythm because they can sense the abrupt transitions Intuition may be the only way to judge rhythm, but some practical Dr Karen Pearlman - Macquarie University
She is the author of Cutting Rhythms, Shaping the Film Edit (Focal Press). Pearlman, K. (2013) Intuition and Collaboration: Editing and the Cutting Rhythms: Shaping the Film Edit Book - DailyMotion
Cutting Rhythms: Shaping the Film Edit Book Download Free rhythm was considered a matter of intuition; good editors should just 'know'
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